Surviving The Gig: How To Make It Through The Nightmare Show

The following are true stories. No names have been changed to protect the guilty. Have you ever played a gig in which your gear inexplicably went dead in the middle of a face blistering lead? Have you ever been on your way to a show and have the back of the van pop open and watch a drum set and keyboard spill onto the New York State Thruway at 70mph? Have you ever watched the singer of your band run a bar tab so high that it exceeded what your band was supposed to make that night? Have you ever had your drummer pass out drunk behind the drum kit halfway through the 3 sets you were scheduled to play that night? Has your band ever broken up on the way to a gig? Have you ever had your drummer throw a heart attack 5 days before your first gig? At first glance these events look like the new script for Spinal tap 2, 3 and 4 but all these events happened to me throughout my 30 years of playing in bands and gigging around the tri- state area. And I’m still standing. At the time, these seemed catastrophic. But looking back I can say with certainty that they made me a stronger performer and musician able to deal with any adversity thrown before me. This blog is dedicated to different ways we can deal with difficult gig situations.

Foolproof Everything. At gigs there are certain circumstances that occur that are really out of our control. For every other circumstance, we foolproof. Always carry extra batteries for your pedals, a backup guitar or two, extra strings, extra patch chords etc. Make sure that your setup works before you pack it up and get to the gig.  Bringing a small backup amp would probably be a good idea also. Stock up on extra fuses and tubes to take with you also. It may seem silly but try and bring a small fan with you. I have played shows where it was ungodly warm in the venue and having a cool breeze on you at all times makes all the difference. And lets face it, if you have long hair it looks cool too. It is for practical and aesthetic purposes. Confirm everything with the person who is booking you that night. Make sure you know when the start time is, the load in time, how many sets you will be playing, what the pay is going to be, if the drinks are free etc before the gig if possible. You don’t want any other surprises that night so be diligent and get these things established, in writing if you can.

Get Rid Of The Problem. If the nightmare at your gigs isn’t faulty gear, less than perfect working conditions or a jerk of a club owner and is a member of your band, adress the problem immediately, if not sooner. Nothing will ruin a night or a bands reputation quicker that a negative influence in the band. If a member of your group brings their issues to the gig they have to go. Bottom line. These issues include: partaking of various substances that render them unable to finish the gig, belligerence and a negative attitude, rock star and diva-like egos and chronic lateness. remember this is called the music business. If you wouldn’t act a certain way at a “real” job then you shouldn’t act that way at a gig and that behavior in my opinion for a musician to have is totally unprofessional. Your attitude and how you treat yourself at shows and with everyone around you is what separates chicken you-know-what from chicken salad.

This Too Shall Pass. As I wrote before, at gigs and in life, there will always be circumstances beyond our control. It is how we respond to them that defines us as musicians and as people. In the midst of a stressful show try and ask yourself if this situation will matter 5 years from now. The answer is usually no. The key is to use that negative and turn it into a positive. Usually that means to never let that situation happen again or to nip it in the bud before it starts. If the same negativity creeps in at every gig, you have to change your approach or do things a bit differently. Gigging should be fun and uplifting, not a chore. No matter how bad a gig may seem always remember that this too shall pass. One time I was given the privilege of performing classical guitar at a Master Class taught by a very successful guitarist. Midway through my piece, I forgot what I was playing. Totally froze. All that preparation and practice went out the window. When I saw my teacher the next week, he gave me his feedback about my performance most of which was positive, didn’t even mention the fact that I forgot half the piece. He looked at me smiled and said, “stuff like that happens, remember no matter how you played, the sun still rose this morning”. I have carried those words with me everywhere I go. So remember, no matter how bad it gets, the sun will rise tomorrow. Who knows? Maybe one day you will even get to write about your experiences in a well respected guitar publication. Now get out there and play!!! Feel free to share any of your gigging nightmares. Comments and feedback are always welcome.



Richard Rossicone

About Richard Rossicone

Richard W. Rossicone is a veteran of the New York City and Long Island original and cover band scene. He has been playing guitar since the tender age of 8 years old when he attended his first concert, KISS and saw Pete Townshend smash a guitar. He has studied with various instructors over the years which led him to a career in Music Therapy. He began his educational journey at Queensboro Community College where the faculty there opened up a new world to him by introducing him to classical music. He received his A.A. in Fine Arts in 1997 and from there went on to receive his B.A. in Music Therapy in 2001 and his M.A. in Music Therapy from New York University in 2004. He has been Board Certified as a Music Therapist since 2002. Hungry to learn more about different styles on the guitar, Richard decided to continue his studies at C.W. Post University pursuing a second Masters Degree in Classical Guitar Performance and Music History in early 2006, studying under Harris Becker. In addition to his “day job” as a music therapist, he has been teaching guitar, piano and theory part time since 2002 and in 2006 started his own company called Rossicone Music Studios. Richard has grown his business from 15 students a week to over 50 a week at this present time. Richard is also a contributing blogger to and Check out his blog page entitled The Complete Guitarist and visit him on Facebook at Richy Rossicone’s Complete Guitarist Page.
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